Sociology of Art provides students with an introduction to the fundamental theories and debates in the sociology of art, using extracts from the core foundational and most influential contemporary writers in the field. The book is divided into five sections exploring key themes in the sociology and social history of art. These are: classical sociological theory and the sociol...(展开全部)

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions betw...(展开全部)

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions betw...(展开全部)

约翰·斯科特（John Scott），埃克塞特大学和哥本哈根大学的名誉教授，英国科学院院士、社会科学院院士和英国皇家艺术学会院士。主要著作有《公司、阶级和资本主义》（Corporations, Classes and Capitalism，1975）、《谁统治英国？》（Who Rules Britain?，1991）、《社会学理论》（Sociological Theory: Contemporary Debates，1995）、《权力》（Power，2001）和《社会理论：社会学的核心问题》（Social Theory: Central Issues in Sociology，2005）、《社会世界的概念化：社会学分析的原则》（Conceptualising the Social World: Principles of Sociological A...(展开全部)

约翰·斯科特（John Scott），埃克塞特大学和哥本哈根大学的名誉教授，英国科学院院士、社会科学院院士和英国皇家艺术学会院士。主要著作有《公司、阶级和资本主义》（Corporations, Classes and Capitalism，1975）、《谁统治英国？》（Who Rules Britain?，1991）、《社会学理论》（Sociological Theory: Contemporary Debates，1995）、《权力》（Power，2001）和《社会理论：社会学的核心问题》（Social Theory: Central Issues in Sociology，2005）、《社会世界的概念化：社会学分析的原则》（Conceptualising the Social World: Principles of Sociological A...(展开全部)

A consistent best-seller, the wide-ranging and authoritative Dictionary of Sociology was first published in 1994 and contains more than 2,500 entries on the terminology, methods, concepts, and thinkers in the field, as well as from the related fields of psychology, economics, anthropology, philosophy, and political science. For this fourth edition, Professor John Scott has cond...(展开全部)

Wide-ranging and authoritative, this bestselling sociology dictionary is the most informative of its kind. Compiled by a team of sociological experts, under the editorship of Gordon Marshall and John Scott, it is packed with over 2,500 entries. With terms taken from sociology and the related fields of psychology, economics, anthropology, philosophy, and political science, it pr...(展开全部)

The arrival of the moving image in contemporary art has provoked a great deal of discussion amongst critics, artists and curators, and presents a serious challenge to our understanding of the traditional media and institutions of film, painting and sculpture. "The Reader" aims to address these issues and generate further art historical study. "Art and the Moving Image" presents...(展开全部)

Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art his...(展开全部)

Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art his...(展开全部)